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Instrumental Concerti
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CONCERTOS revised December 2009
Four years ago back in December 2005 I wrote:
One of the biggest problems with any website is keeping it up to date.
Apologies for any failures on this one. I discovered this problem when
getting cross with a colleague in Singapore who
plans to programme Adam Gorb’s Downtown Diversions and wanted to know
the publisher. I recommended my Concerto file – but of course it is not
there, it is way out of date. Many apologies,
Singapore
and everyone else. Here we are in 2009, needing a new four year
revisions, so here is an attempt at this.
Most of the scores in
the table were programmed at the RNCM, or are scores which I have heard
since 2001 and which I recommend colleagues to programme
MEAT AND TWO VEG - A
LOOK AT THE CONCERTO REPERTOIRE
I suspect that English
cuisine is a byword amongst discriminating WASBE "foodies" as generally
fairly appalling, though those of you who have visited
Manchester
for WASBE 1991 or our Annual Festivals in the last weekend before Easter
will find solace in the Armenian Restaurant in Albert Square or in the dozens of
excellent curry houses and Chinese food centres.
The traditional British
meal can sometimes be satisfying, and so sometimes is the traditional
orchestra concert programme. What would we give to be able to programme
Overture -
Concert piece- Concerto - interval - Symphony
in our concert series,
drawing on the last two hundred years of Western music, as well as
pandering to our audiences knowledge and love of their favourite Hundred
Best Tunes. On the one hand, it is exciting for us as conductors and
players to be performing new or unfamiliar music most of the time, to be
fighting to create recognition for a new medium, on the other we can
hardly blame the public for staying away through their ignorance of new
composers and new sounds. And do we really make good use of the
incredible repertoire that is there?
Gunther Schuller in a letter on this very problem, wrote that
Unfortunately the
situation is worse … because of the social/professional context to which
wind music is relegated. …as long as wind ensembles and bands are
located primarily (almost entirely) in schools and academic
institutions, the rest of the music world will never take wind and band
music very seriously, no matter how good the music is and how well its
performed. They see it as relegated to students and amateurs, and just
ignore it, don't give the field any respect.
After recent meeting (on
the internet) with Kamillo Lendvay, he sent recordings of his tremendous
Piano Concertino (1959) which I first heard at WASBE, and of his
Trumpet Concerto,
premiered in WASBE 1991, conducted by Laszlo Marosi. Klaes Ryberg, until
recently Manager of the Ostgota Musiken, was at our recent Manchester
Festival and reminded me of his commissions from Mats Larsson of a
Trombone Concerto, which made a great impact in WASBE Schladming;
there is a Violin Concerto to follow.
INVOLVING THE
“PROFESSION”
This set me musing on
how we best can involve the leaders of the music profession, that elite
which dictates public taste in “serious” music, in what we are doing.
One solution we tried in Manchester in the 80’s and
90’s was to use top international or national soloists in our programmes
wherever possible. In our first two International Festivals we
introduced Evelyn Glennie in the world premiere of an exciting new
percussion concerto, Elements by Adam Gorb, Allen Vizzutti
playing the Richard Rodney Bennett Trumpet Concerto, Steven Mead
in the world premiere of Joseph Horovitz' own wind arrangement of his
Euphonium Concerto, Bob Childs playing the new Euphonium Concerto by
Nigel Clarke The City beneath the Sea and James Gourlay as
soloist in an arrangement of the Vaughan Williams Tuba Concerto.
We have in the past welcomed the late John Fletcher in the premiere of
the wind version of Edward Gregson’s Tuba Concerto, Susan Milan
playing Kent Kennan's Night Soliloquy, John Wallace playing the
Husa Trumpet Concerto, Evelyn Glennie in the world premiere of
Thea Musgrave's evocative Journey through a Japanese Landscape,
George Caird in the Rimsky-Korsakov Oboe Variations, Trombonists
Denis Wick as soloist in the Berlioz Symphonie Funèbre et Triomphale,
Christian Lindberg in Derek Bourgeois’ Trombone Concerto and Ian
Bousfield, now principal trombone with the Vienna Philharmonic in the
Hoddinott Ritornelli for Trombone and Ensemble and Gunther
Schuller's Eine Kleine Posaunemusik. Many will remember the young
clarinet virtuoso, Michael Collins, playing the Dodgson Capriccio
Concertante at the first International Conference in 1981.
This brief survey of
concerti which we have played in
Manchester
at the College or at BASBWE, plus a few others, fulfils a three-fold
purpose, helping perhaps to bring national or international stars into
touch with our medium, introducing their fans to an unfamiliar
repertoire and ensemble, and also adding an international dimension to
our programmes. In addition, these works gave valuable solo
opportunities to many of our students who have now gone on to
distinguished careers.
CONCERTOS & SOLO
REPERTOIRE
WO = Wind Orchestra with
full wind, brass and percussion and saxophones
WE = Orchestral wind
|
WORK
|
INSTRUMENT
|
COMPOSER
|
PUBLISHER
|
NATIONALITY
|
|
Concertino Pastorale
|
Flute
WO
|
Philip Wilby
|
Maecenas
|
UK
|
|
Concerto
|
Flute 8tet
|
William Alwyn
|
Legnick
|
UK
|
|
Concerto
|
Flute WE
|
Henk Badings
|
Peters
|
Netherlands
|
|
Concerto
|
Flute
|
Jonathan Newman
|
OK Feel Good
|
USA
|
|
Instant Music
|
Flute WE
|
Kurt Schwertzig
|
Boosey
|
Austria
|
|
Lindisfarne
Concero
|
Flute WO
|
Philip Sparke
|
Studio
|
UK
|
|
Night Soliloquy
|
Flute WO
|
Kent Kennan
|
Fischer
|
USA
|
|
Concerto
|
Oboe WE
|
Jennifer Higdon
|
Composer
|
USA
|
|
An Elegy for Ur
|
Oboe WE
|
Edwin Roxburgh
|
Maecenas
|
UK
|
|
Concerto
|
Oboe
WE
|
Ivan Tcherepnin
|
Peters
|
USA/Russia
|
|
Variations
|
Oboe WO
|
Rimsky-Korsakov
|
Boosey
|
Russia
|
|
Double Variations
|
Oboe/Fg WE
|
Edward Harper
|
OUP
|
UK
|
|
Double Concerto
|
Oboe/Clarinet WE
|
Gary Carpenter
|
Camden
|
UK
|
|
A dramatic Landscape
|
Clarinet
WO
|
John McLeod
|
Griffin
|
UK
|
|
Capriccio Concertante
|
Clarinet WO
|
Stephen Dodgson
|
Novello
|
UK
|
|
Clarinet Concerto
|
Clarinet WO
|
Csaba Deak
|
STIM
|
HungarySweden
|
|
Concertante
|
Clarinet WO
|
Rimsky-Korsakov
|
Kalmus
|
Russia
|
|
Concerto
|
2 Clar WE
|
Krommer/Crusell
|
ms
|
Czech
|
|
Concerto
|
Clarinet WO
|
Philip Grange
|
Maecenas
|
UK
|
|
Concerto
|
Clarinet WO
|
Stephen McNeff
|
Maecenas
|
UK
|
|
Concerto
|
Clarinet WO
|
Marco Pütz
|
Bronsheim
|
Luxembourg
|
|
Il Covegno
|
2 Clarinets WE
|
Ponchielli
|
ms
|
Italy
|
|
Prelude, Fugue & Riffs
|
Clarinet JE
|
Leonard Bernstein
|
Schirmer
|
USA
|
|
Concertino
|
Bassoon
wind 8tet
|
Juriaan Andriessen
|
Donemus
|
Netherlands
|
|
The Avatar
|
Bassoon and WE
|
Dana Wilson
|
Composer
USA
|
|
|
Concerto Grosso
|
Wind 5tet/WO
|
Robert Russell Bennett
|
Peters
|
USA
|
|
Concertango
|
Alto sax, jazz trio
|
Luis Serrano Alarcon
|
Piles
|
Spain
|
|
Concerrto
|
Saxophone
WO
|
Michael Ball
|
Maecenas
|
UK
|
|
Concertino
|
Saxophone WO
|
Warren Benson
|
Carl Fischer
|
USA
|
|
Concerto
|
Saxophone WE
|
Yasuhide Ito
|
ms
|
Japan
|
|
Concerto
|
Saxophone WO
|
Graham Fitkin
|
composer
|
UK
|
|
Concerto
|
Saxophone WO
|
Karel Husa
|
AMP
|
Czechoslovakia/USA
|
|
Concerto
|
Saxophone WO
|
Paul Creston
|
Schirmer
|
USA
|
|
Concerto
|
Soprano Saxophone
|
John Mackey
|
Osti Music
|
USA
|
|
Concerto
|
Saxophone WE/Str 5et
|
Dominic Muldowney
|
UE
|
UK
|
|
Concerto
|
Saxophone WO
|
Frank Ericksen
|
Bourne
|
USA
|
|
Concerto
|
Saxophone WO
|
Walter Hartley
|
Presser
|
USA
|
|
Concerto
|
SaxophoneWO
|
Ingolf Dahl
|
ACA
|
USA
|
|
Dream Dancer
|
Saxophone WO
|
Michael Colgrass
|
Carl Fischer
|
Canada
|
|
Star Edge
|
Saxophone WO
|
Warren Benson
|
Carl Fischer
|
USA
|
|
Distant Variations
|
4 saxophones WE
|
John Casken
|
Schott
|
UK
|
|
Urban Requiem
|
4 saxophones WE
|
Michael Colgrass
|
Carl Fischer
|
UK
|
|
Concerto
|
Horn
WO
|
Mercadante
|
Molenaar
|
Italy
|
|
Concerto
|
Horn WO
|
Marco Putz
|
Bronsheim
|
Luxembourg
|
|
Concerto
|
Cornet WO
|
Dennis Wright
|
Chapell
|
UK
|
|
Concerto
|
Trumpet
WE
|
Andre Jolivet
|
Heugel
|
France
|
|
Concerto
|
Trumpet WO
|
Richard Rodney Bennett
|
Novello
|
UK
|
|
Concerto
|
Trumpet WO
|
Karel Husa
|
AMP
|
Czechoslvakia/USA
|
|
Concerto
|
Trumpet WO
|
Istvan Lendvay
|
EMB/Boosey
|
Hungary
|
|
Le Gai Paris
|
Trumpet WE
|
Jean Francaix
|
Schott
|
France
|
|
Chronicles
|
Trumpet WO
|
Joseph Turrin
|
C Allan
|
USA
|
|
Cameos
|
BassTromb WO
|
Gordon Jacob
|
Emerson
|
UK
|
|
Concerto
|
Trombone
WO
|
Rimsky-Korsakov
|
MCA
|
Russia
|
|
Downtown Diversions
|
Trombone WO
|
Adam Gorb
|
Maecenas
|
UK
|
|
Eine Kleine Posaunemusik
|
Trombone WE
|
Gunther Schuller
|
AMP
|
USA
|
|
Rhapsody
|
Bass Tromb WO
|
Frigyes Hidas
|
EMB/Boosey
|
Hungary
|
|
Ritornelli
|
Trombone WE
|
Alun Hoddinott
|
Wicks
|
Wales
|
|
Tales of Father Goose
|
Trombone WE
|
Gyorgy Ranki
|
EMB
|
Hungary
|
|
White Knucklebone Ride
|
Trombone WO
|
Philip Wilby
|
Novello
|
UK
|
|
Capriccio
|
Piano
Brass
|
Leos Janacek
|
Artia
|
Czechoslovakia
|
|
Concertino
|
Piano WE
|
Istvan Lendvay
|
EMB
|
Hungary
|
|
Concerto
|
Piano WE
|
Igor Stravinsky
|
Boosey
|
Russia
|
|
Concerto
|
Piano WE
|
Karl Amadeus Hartmann
|
Schott
|
Germany
|
|
Concerto 2
|
Piano WE
|
Alun Hoddinott
|
OUP
|
Wales
|
|
Concerto
|
Piano WO
|
Edward Gregson
|
Maecenas
|
UK
|
|
Concerto 2
|
Piano WO
|
Friedrich Gulda
|
Weinberger
|
Austria
|
|
Concerto
|
Piano WO
|
Geoffrey King
|
ms
|
UK
|
|
Oiseaux Exotiques
|
Piano WE
|
Olivier Messiaen
|
UMP
|
France
|
|
Rhapsody in Blue
|
Piano Band/we
|
George Gershwin
|
Warner
|
USA
|
|
Soncertino
|
Piano WE
|
Hans Werner Henze
|
Schott
|
Germany
|
|
Susato Variations
|
Piano WE
|
David Bedford
|
Novello
|
UK
|
|
Concerto
|
Euphonium
WO
|
Adam Gorb
|
Maecenas
|
UK
|
|
Concerto
|
Euphonium WO/BB
|
Nigel Clark
|
Maecenas
|
UK
|
|
Concerto
|
Euphonium WO/BB
|
Martin Ellerby
|
Studio
|
UK
|
|
Concerto
|
Euphonium WO
|
Joseph Horovitz
|
Novello
|
UK
|
|
Concerto
|
Euphonium WO
|
Philip Wilby
|
Music Sales
|
UK
|
|
Concerto
|
Tuba
WO
|
Martin Ellerby
|
Maecenas
|
UK
|
|
Concerto
|
Tuba WO
|
Edward Gregson
|
Novello
|
UK
|
|
Concerto
|
Tuba WO
|
Ray Premru
|
ms
|
USA
|
|
Concerto
|
Tuba WO/vcl/Kb
|
Ole Schmitt
|
Music Sales
|
Denmark
|
|
Tubby the Tuba
|
Tuba WO
|
George Kleinsinger
|
Schirmer
|
USA
|
|
Concerto
|
trumpet/trombone/tuba
|
Floyd Werle
|
Bourne
|
USA
|
|
Concerto
|
Percussion
|
Jennifer Higdon
|
Composer
|
USA
|
|
Concertino
|
Xylophone WO
|
Istvan Lang
|
EMB/Boosey
|
Hungary
|
|
Concerto
|
Marimba WO
|
David Maslanka
|
Carl Fischer
|
USA
|
|
Concerto
|
Percussion
WE
|
Toshiro Mayuzumi
|
Peters
|
Japan
|
|
Concerto
|
Marimba WO
|
Paul Creston
|
Schirmer
|
USA
|
|
Concerto
|
Percussion WE
|
Qu Xiao Song
|
ms
|
China
|
|
Concerto
|
Timpani WO
|
Gordon Jacob
|
R Smith
|
UK
|
|
Concerto (Journey…)
|
Marimba WE
|
Thea Musgrave
|
Novello
|
UK
|
|
Concerto for 2 Pianos
|
pnos & Percussion
|
Darius Milhaud
|
Durand
|
France
|
|
Concerto
|
Marimba WO
|
David Maslanka
|
Carl Fischer
|
USA
|
|
The Elements
|
Percussion WE
|
Adam Gorb
|
Maecenas
|
UK
|
|
Concerto
|
Violin
WE
|
Kurt Weill
|
UE
|
Germany
|
|
Concerto
|
Violin/Viola WO
|
Nikos Skalkottas
|
Bote&Bock
|
Greece
|
|
Ballade
|
Viola WE
|
Frank Martin
|
Universal
|
Switzerland
|
|
Concerto
|
Cello WE
|
Friedrich Gulda
|
Weinberger
|
Austria
|
|
Concerto
|
Cello WE
|
Jacques Ibert
|
Heugel
|
France
|
|
Concertino
|
Cello WE
|
Martinu
|
Ceski Hud
|
Czechoslovakia
|
|
Mozart New Look
|
Bass WE
|
Jean Francaix
|
Schott
|
France
|
|
Concerto
|
Harp WE
|
Badings
|
Peters
|
Netherlands
|
|
Concerto
|
String Quartet
|
Schulhoff
|
Panton
|
Czechoslovakia
|
|
Mr Tambou-rine Man
|
Soprano
|
Corigliano
|
Schirmer
|
USA
|
|
Future of Fire, The
|
Chorus & Ensemble
|
Zhou Long
|
OUP
|
USA/China
|
|
Night Journey
|
Chorus, baritone WO
|
Daniel Basford
|
Maecenas
|
UK
|
|
Word of Love, The
|
Soprano
|
James Mobberley
|
Composer
|
USA
|
|
Four Earth Songs
|
Soprano
|
Marco Putz
|
De Haske
|
Luxembourg
|
|
5 Folk Songs
|
Soprano
WO
|
Bernard Gilmore
|
Maecenas
|
USA
|
|
King David
|
choir, soloists WE
|
Arthur Honneger
|
UMP
|
Switzerland
|
|
Mass in E Minor
|
double chorus WE
|
Anton Bruckner
|
Barenreiter
|
Austria
|
|
Mass
|
Choir & Ensemble
|
Igor Stravinsky
|
Boosey
|
Russia
|
|
Missa Brevis Pacem
|
SSA, soloists WO
|
Edward Gregson
|
Novello
|
UK
|
|
Pageant
|
soloists/choir WE
|
Michael Ball
|
Novello
|
UK
|
|
Symphony of Psalms
|
Choir WO
|
Igor Stravinsky
|
Boosey
|
Russia
|
There will doubtless be
dozens of other works of importance which I should include. I heard the
Saxophone Concerto of Ross Lee Finney recently, and it struck me
on one hearing as being an important work. Please let me know of gaps
you find in our Manchester repertoire – just email …..and a
strong black coffee please to wash down the apple pie!