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TIM REYNISH WEBSITE
!! STOP PRESS - 21st May 2008 !! A rare chance to hear:
Corigliano
– Circus Maximus: Symphony No. 3 for large wind ensemble Played
by
July
9 Wed - http://www.jungfrau-music-festival.ch/mainframe.htm
July
12 Sat – http://www.mideurope.at/index-en.htm
July
13 Sun –
July
16 Wed - http://festivalwiltz.lu/cgi-bin/baseportal.pl?htx=/accueil&lg=en
July
18 Fri – http://www.palaudevalencia.com
July
21 Mon – http://www.esmadrid.com/es/portal.do?IDR=622&TR=C&IDM=25&NM=1
HOMEPAGE FOR 20 MAY 2008
Spring is sprung, De grass is riz I wonder where dem birdies is…..
For more information, browse on the links above or read below ADAM GORB ON YOUTUBE This
Spring, I had the privilege of conducting some great programmes with fine
ensembles in http://video.aol.com/video-detail/gorb-dances-from-crete-part-1-of-3-reynish/97734421 ADAM GORB’S FAREWELL In
SUPERB
ARTISTRY IN OSLO SONG AND DANCE In
YOU
READ IT HERE FIRST Certainly,
my passion for wind ensemble music is on the wing, helped by two major new
initiatives from Building
a Wind Repertoire Database Concertos
for Horn and Wind Ensemble National
Youth Wind Orchestra of Wales Premiere
of Farewell
& Programme Note Professional
Wind Ensembles in Norway Review
by Arild Andersen of Song and Dance Programme in Oslo Wind
Music on Radio 24/7
& PURCHASE OVER 400 CDs ONLINE NEWS
IN BRIEF 1
Francis
Pieters’ magnificent biography of Désiré Dondeyne is published by Editions
Robert Martin and Editions HaFaBra, price 45 euros 2
Ed
Quick writes below about the performance of John Corigliano’s Circus
Maximus by the
Detroit Symphony under Leonard Slatkin with members of the 3
Guy
Woolfenden conducted the premiere of his latest work, Reflections,
with the Oxford Sinfonia Wind Ensemble on 26th April 4
Matthew
George conducted world premieres of Deserts
by Philip Sparke and Out of Nowhere
by Rolf Rudin together with the Mass
by Martin Ellerby at CBDNA North Central Division Conference. 5
Goh
Toh Chai’s most recent work Symphonie Bombastique, will be premiered by the Philharmonic Winds, 6
Russell
Hammond writes from Last
weekend I had the great pleasure to hear a monumental work by John Corigliano,
his Symphony #3 "Circus Maximus". If you have the opportunity to
hear a performance of this powerful, dramatic work for band, you must do so. CONCERTOS
FOR HORN AND WIND ENSEMBLE Some
time ago I wrote in a forgotten Homepage after the Eastman Symposium: It
used to be as hard to find works for horn and wind ensemble as London busses,
but suddenly five have come along, almost all together; Dana Wilson’s Concerto
for Horn and Wind Ensemble is a virtuoso work which exploits every facet of
the horn but yet keeps in touch with the audience. It was given a terrific
performance by Gail Williams who had premiered the orchestral version. The other
works now available for horn solo include a Concerto
by WASBE member Marco Pütz from Luxembourg, The Glass Bead Game by James
Beckel, whose daughter I think must have been playing in the Cincinnati Wind
Chamber Ensemble, Shindig by Dan Godfrey, at present a visiting professor
at Eastman, and the Last Scenes for Solo Horn and Wind Ensemble by Verne
Reynolds Now there are a goodly few works for solo horn which are well worth exploring, from Martin Ellerby’s evocative romantic Summer Nights, in homage to Berlioz, to the magnificent though taxing concerti by Dana Wilson, Simon Wills and Oliver Waespi. Here is an interim listing; I would welcome additions and update material – I hope the links still work
REPERTOIRE
REVIEWS As
always, I feel that repertoire is the key to our development, but somehow we
need to make sure that there is a record of our concerts. For instance, I have
searched the web for reviews of the latest world premieres of works by Karel
Husa, David Chaitkin, Christopher Rouse in the No
press for the world premiere in Cardiff and Monmouth, no press either for the
great concert in Oslo, so I am posting a review below, jotted down by conductor,
flautist and music school principal, Arild Andersen, which will at least put on
record the excellent performances by the Oslo group. We can only hope that such
a fine group will make recordings, tour festivals, and take their place amongst
the elite musical groups of Homage
to Stravinsky
Ole Schmidt
Versuche
uber einen Marsch
Marcel Wengler
Piano
Concerto
Igor Stravinsky
Interval L’Homme
Armé
Christopher Marshall
CharM
Helge Sunde
Dances
from WIND
MUSIC ON RADIO 24 HOURS 7 DAYS A WEEK Do
you want some wind music on while you prepare dinner, or are you searching for a
work on CD to buy? Look no further that the WIND
BAND FM Link, where you will find over 400 CDs on sale via Amazon, most
with a review of the recording attached. AND
YOU CAN LISTEN TO WIND MUSIC 24/7, courtesy of Travis
Miller NATIONAL
YOUTH WIND ORCHESTRA OF
Composer
Are
you seeking programme notes and orchestrations? Not quite there yet, but Nikk
Pilato is working on it. Look into WIND
REPERTORY PROJECT. Nikk
writes: The Wind Repertory Project™ is an attempt to create a comprehensive database of wind literature, expanded by contributions of selected band directors/conductors, students, and wind band enthusiasts worldwide. Here you will find detailed information on literature for winds, including program notes, instrumentation, errata, and much more. At this point we are still in infancy, adding new articles every day. We need your help in order to make this a truly invaluable resource for our profession. If you feel you can contribute information to The Wind Repertory Project™, please visit the FAQ first, then contact the webmaster. REVIEW Friday
18th, Akershus Festning,
GUSTAV
HOLST GUY
WOOLFENDEN TIMOTHY
JACKSON PERCY GRAINGER REVIEW Arild
Andersen, conductor and flautist wrote this about the music: Timothy
Reynish visited Marching
Song by Gustav Holst, nice to
hear, not so much played in Illyrian
Dances by Guy Woolfenden, great
piece, I need to do that one myself. Passacaglia
by Timothy Jackson, very interesting piece, original for 32 horns, ye that’s
right, I will get that one at once, great sound in the wind band, and the last
chord – OH YES!. Marching
Song of Democracy by Percy Grainger (not often played in concert either I
think, needs to be done a lot more. Intermission Second
part: Masque
by Kenneth Hesketh, a very colourful piece, fast, interesting writing, with a
lot of things going one. More bands in Suite
of English Dances by Ernest
Tomlinsen, new piece to me, great writing, effective use of the ensemble, very
nice orchestrated for band. Dances
from Crete by Encore
was CharM by Helge Sunde, one of the
most interesting new marches in
KENNETH HESKETH ERNEST TOMLINSON ADAM GORB PROGRAMME
NOTE AND REVIEW OF FAREWELL FAREWELL is a large-scale symphonic Adagio lasting about twenty minutes. In this piece I’ve decided to split the Wind Ensemble into two separate ‘orchestras’. The first ensemble consists of clarinets, saxophones, trumpets, trombones, euphoniums, tubas and harsh sounding percussion, and the music is predominantly desperate and anguished. The instruments in the second ‘orchestra’ are flutes, oboes, bass clarinet, bassoons, horns and more gentle percussion, and the mood is more calming and introspective. At
first the ensembles play exclusively from each other, but eventually they merge
and reach a massive climax focusing on a chord of D minor. At this point, a
third ‘ensemble’ is heard for the first time – the notes C and F# (which
have not been played at all in the work so far). These notes are played ppppp
and come to haunt the end of the work. The title refers to Haydn’s Farewell Symphony, but instead of all the players walking off
leaving two instrumentalists to finish, here a solo oboe and clarinet step
forward and quietly lament, while the rest of the band intone an eternal modus
in diabilis. Tim Reynish writes: While
Adam has scored enormous successes with his lighter works such as Yiddish
Dances and Dances From Crete, Farewell represents
a marked departure from his more populist works. This is stark tragedy – I
talked to the National Youth Wind Orchestra of Wales about having recently seen
a production of King Lear in
Stratford, Ontario, performed with the passion of Grand Guignol, horridly
realistic scenes of murder, (and I’ll swear it was real blood when they gouged
out his eyes.) Musically Farewell is
incredibly strong, the first part characterized by a series of sharply defined
fragments which gradually climax together, giving place to a bleak ostinato on
horns or bassoons under more lyrical phrases in solo woodwind. There is a brief
flourish of activity, with virtuoso reminiscences of a Klezmer Band, a return to
the bleakness before both elements, and orchestras, join in an incredible
Mahlerian climax, followed by a coda. I believe that the work takes the wind
orchestra on a journey of tragic dimensions, and that this is an important a
statement in tragedy for the wind repertoire as his two sets of dances are in
comedy. NATIONAL
YOUTH WIND ORCHESTRA OF Saturday 5th April, Monmouth School for Girls Sunday 6th April, University of Cardiff Concert Hall Awayday Adam Gorb Maecenas Danse Funambulesque Jules Strens HaFaBra Passacaglia Timothy Jackson Maecenas Concerto
for Alto Saxophone
Soloist Lara James Interval Farewell Adam Gorb Marching Song of Democracy Percy Grainger Southern Vranjanka Kenneth Hesketh Faber I
can do little more than report factually on the concert which fulfilled what I
need from a programme, varied repertoire which poses four challenges, Emotional,
Musical, Intellectual and Technical and which, though unfamiliar, sweeps the
audience and players along on a journey of exploration. All too often we
programme a transcription of orchestral music, a selection from a West End show,
a couple of marches, just to sweeten the pill; our contemporaries in the Youth
Symphony Orchestra admittedly have a larger repertoire base to build from, but
can you imagine the European Youth Orchestra, or the National Youth Orchestra of
Great Britain playing Star Wars or Phantom
of the Opera? Awayday I commissioned as an easier alternative to Candide. It is more difficult, but excellent fun and very rewarding; the welsh came very close to mastering it. Danse Funambulesque is a fine romantic work by Strens, dating from the twenties. Hints of Ravel and Holst, with a very exciting build-up. Now available in a new edition from HaFaBra Passacaglia is a masterpiece at about Grade 4 Saxophone Concerto by Michael Ball is Grade 6 for soloist, Grade 4 for accompaniment, memories of Bartok and Walton – there is now a piano version. Intermission Farewell is a magnificent tragedy by Adam Gorb – it should be recoded Marching Song of Democracy – we dedicated our performance to Owain Glendwr – what a magnificent, neglected, Straussian tone-poem. Vranjanka
-
I love the way that Kenneth Hesketh writes such interesting parts for
sub-principals. This is an exhilarating seven minutes of Serbian rhythms and
tunes.
ARTICLES British Wind Music 1981 – 2008 March 2008 Creating a repertoire – 90 Commissions August 2006 Irish Wind Band repertoire September 2006 Japanese Music – a brief overview December 2006 Music at Kneller Hall December 2006 Performing Practice – a guide to better performance July 2006 Please Conduct, Don’t Talk by David McCormick February 2007 Simon Rattle in Interview July 2006 Tim Reynish Interview for Classical Music October 2005 Taming the Decibels July 2006 COMMMISSIONS William Reynish Memorial Commissions February & March 2008 COMPACT DISC NEWS Band of HM Royal Marines – Nigel Clarke February 2008 Band of HM Royal Marines - Diversions February 2007 Band of US Marines “President’s Own” July 2007 Bazelon Midnight Music featured October 2007 Gotham Winds Symphony April 2007 International Repertoire Discs July 2007 Killarney CDs available from Mark Custom December 2007 Philharmonic Winds of Salzburg July 2007 Royal Norwegian Navy Band July 2007 State Opera Orchestra Stuttgart in Opera arrangements April 2007 University of Kentucky April 2007 COMPETITION NEWS British
Academy 2006 Award to Andy Scott
December 2006 British
Academy 2007 Award to Edwin Roxburgh
December 2007 Fennell
Prize to Tommasini
December 2006 Lambersart
Award
December 2006 NBA
2007 Winners
February 2008 Norwegian
Wind Band Federation
April 2007 COMPOSERS
NEWS Aagaard-Nilesen,Torstein
October 2007 Aloncon,
Luis Serrano
December 2007 Becker,
Sam
February 2008 Bourgeois,
Derek
June 2006 & February 2008 Brubeck,
Chris
June 2006 & October 2007 Camphouse,
Mark
February 2008 Carroll,
Fergal
June 2006 Chaitkin,
David
October 2007 Clarke,
Nigel
February 2008 Danielpour,
Richard
October 2007 De
Haan, Jacob
February 2008 Del
Tredici, David
October 2007 Gorb,
Adam
February 2008 Hagen,
Daron
April 2006 Hesketh,
Kenneth
June 2006 & February 2008 Horne,
David
July 2006 Jackson,
Timothy
December 2007 & February 2008 Jacob,
Gordon
October 2007 Lindberg,
Christian
October 2007 Lindberg,
Magnus
October 2007 Mackey,
John
Spring 2006 McNeff,
Stephen
December 2007 Messiaen,
Olivier
February 2008 Osman,
Leroy
January 2006 & June 2006 Pütz,
Marco
February 2007 Roxburgh,
Edwin
July 2006 & December 2007 Sallinen,
Shostakovich,
Dmitri
December 2007 Swerts,
Piet
January 2007 Syler,
James
April 2008
Ticheli,
David
February 2008 Turrin,
Joseph
December 2006 & February 2008 Wilson,
Dana
June 2006 & December 2006 Woolfenden,
Guy
January 2007 Zabel,
Frank
September 2005 CONDUCTING
COURSES Canford,
Interlaken & USA
February & March 2008 NEWS Mozart
Gran Partita Score on line
February 2008 Skalkottas
Concerto for Violin & Viola
December 2007 Websites
of British Conductors and Composers
September 2007 PREMIERES Gorb
premiere of Gorb
premiere of Fanfare
May 2008 Husa
premiere of Cheetah
July 2007 Leitner
Concerto for Double Bass
July 2007 Moncho
Premiere of Tango Band
December 2007 Rouse
premiere of Wolf Rounds
July 2007 PUBLISHERS
NEWS Ariel
new Woolfenden work published
April 2008 David
Whitwell publications
March 2008 Maecenas
launch Accolade Series
February 2007 Maecenas
launch Genesis Series
December 2005 Maecenas
to release Chris Colman’s Jazz Funeral
December 2007 Maecenas
new address
April 2008 New
publisher on line www.editiondb.com
December 2007 Stormworks
nominated my Publisher of Year
December 2007 REPERTOIRE
& PROGRAMMING Band
of HM Royal Marines
February 2007 BASBWE
CBDNA
Conference 2007 CBDNA
Change
of Pace, slower reflective music
September 2007 Elder
Conservatoire, Guildhall
School of Music & Drama
October 2005 International
Conference 1981 reviewed
August 2006 IthacaCollege
May 2006 L’Homme
Armé – rehearsal problems tackled
December 2006 National
Youth Wind Ensemble
September 2007 New
Music from MIT, Not
a core repertoire List
July 2006 Premieres
2005 – 2007
August 2007 Repertoire
in Larvik,
Norway
August 2006 Repertoire in Singapore, Slovenia and Switzerland August 2006 Royal Northern College of Music May 2006 School
Band Recommended repertoire
August 2007 Selective
List for National Band Asssociation
March 2008 Trumpet
Concertos
December 2006 US
Marines Band
April 2006, June 2006 & February 2007 WASBE Germany Conference 2007 Reviewed August 2007 WASBE Killarney Conference 2007 Reviewed August 2007 You Cannot be Serious – a review of “serious repertoire” July 2006 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||